-
- victimized female character blob with broken quirk booster power
- main bad guy who's some sort of exile, usurper or rogue of a crime family, with shit motivations
- Main bad guy with godtier power loses anyway (pretty much MHA as a whole)
- Ends with a fuckin body-horror esque kaiju form as a final boss.
- Deku blitzes the SHIT, and I mean- knocks the soul out of the dude, and somehow he's not turned into liquid flesh
- Deku chances across the girl by sheer freaking coincidence- just like he did Eri, just like he did Gentle, just like he did All Might which started his entire career. Bro just fumbles into everything. Deku birth quirk is "Lucky Star"
Part of the issue with Deku is he has no repeat villain rivals with personal nemesis ties to him, ie. the heroes win too damn much. I'm not saying (obviously) U.A. should've been flattened but at what point does being able to control matter itself at will, become an actual threat?
At what point does being a 100+ year old sociopath villain with multiple quirks become a life threatening force to the point where someone gets killed. (Laughs in Jiro)
This movie was almost entirely predictable, it begins pretty promising with Deku's more comfortable use of OFA, the mystery of Dark Might.
But it's just a fusion of World Mission & Season 4.
Plot armor out the ass, same ol shit, villains catch no bodies, there's set up for fake tension with Dark Mights palace charging towards the school, but no stakes but there's no chance the villains will win and we know that.
And thus no threat level or presence here for the baddies. Saturday morning cartoon level shit.
The movie should've been a Vigilante Deku filler movie, showing us exactly what Deku was doing the entire time. Exploring him ACTUALLY discovering and training with the other quirks. And him facing the underbelly of Japan.
I'll give it this much, the animation team went off the rails, like holy shit they snapped on this movie, which isn't a statement for the movie being good but the animation team did their job.
And I didn't think the animation could go harder after the 2nd film.
Shame too, I was more excited for this than Superman 25', & that's coming from ME, My Hero was prioritized over a SUPERMAN movie for me. That's the whack part.
I waited for MONTHS, a year+ to MONTHS To watch this movie, and knowing the kind of writing My Hero does, I intentionally had low expectations just so I could enjoy this and even with that in place, this was a chore to get through, just like Superman 2025.
For both movies, by the end, I was exhausted. And verbally said something along the lines of "Finally", "Glad that shit's over" or simply-- "Never again"
For this, it was mainly because of how boring Deku is. He gets cooler with the powers but he's the same little angel.
By the 51-57 min mark, Deku's self-righteous sermon session scene, Is when I was beyond done.
I was so checked out, severely disappointed.
Heroes Rising (aka prototype "Final War arc") is still the best of the 4, and after watching that recently, even that had more problems than expected that I thought I remembered.
Even the ending was insane, the one consequence that happened to Anna, even that was undone, I shit you not. Truly nothing matters, everything is just honky dory.
- And it wouldn't be an issue, if the story didn't take itself so damn seriously as if there were any stakes lmfao.
A world of super powered people, some of them damn near demi-gods but everything just almost always works out.
Stakes are a joke in this universe, it's insane. Out of all of the movies, the 4th has the most dry, uninspired plot, it drags horribly even before the half-way mark.
51 minutes is not even halfway through the movie, part of the problem is it's too damn long, not enough going on, the people the story centers around are not interesting & if it's not that much longer than the others, the boring ass plot makes it sandbag.
Great gifs in this movie, the best part about it is what it could've been, which is My Hero's legacy in a nutshell.
Just watch Heroes rising (MHA movie 2) or World Heroes Mission.
3rd movie is not much better either & the first once should've been about Young Might becoming All Might (obviously). Dark Might is more entertaining than Flect but Anna as a plot device is just insulting, she has no presence, she's literally treated like an object.
Most basic design, basic personality (not much of a personality either), she's stale toast.
This movie trying not to be Season 4 while clearly copying Hassaikai raid.
The trailers were the first red flag for me, and I still was rooting for this movie.
But afterwards? Too repetitive. Deku doesn't achieve anything, things just happen to him or around him and he reacts.
Not proactive enough, the villains are proactive, they take initiative, they have grounded motivations, almost want them to win, even if just a little bit.
The first & last 15 minutes was the best parts.
A lot of these Hollywood films are trailers for the movie you’re living in.
Monday, August 18, 2025
My Smiles Academia "You're Next" is just reskinned Hassaikai raid
Thursday, August 14, 2025
The Psychology Behind Women’s Choice in Men - (she doent deserve traits out of anyone that SHE doesn't possess herself.)
https://youtu.be/b5LfY0cvVAo?feature=shared
"assertive but not hostile" "protective but not possessive" "strong but not aggressive"
So they want an emotionally competent person, but that's not all they want. And more importantly: *"You don't deserve traits out of anyone that you don't possess yourself. "* The video is semi- decent, we're missing links or AT LEAST citations of the names of these studies in the video at least. Put them in the end of the video or just put it in description (so you can edit & avoid typo mistakes in the video). All this is is telling men what they need to do to perform for women yet again. Essentially change men should themselves if they don't subscribe to that. And as usual, we're NEVER told what the grocery list for women to perform for men, what they bring to the table, how they need to change to men.
A child is another obligation, its not a favor, not a contribution, nor an advantage. Its a possible advantage but just having a child is not a slamdunk on life, you have to raise it to be a utility, vs being a future burden to society. So childbirth itself is not bringing something to the table, it's a consequence of sex. Because without him shes not birthing anything, and hes going to have to support the child too. As he should.
The issue is the female perspective is all men are subjected to, and many men are rightfully sick of hearing "why" or the psychology of why women do what they do and not why don't women do better or what they're doing to be worthy of their own standards.


"assertive but not hostile" "protective but not possessive"
"strong but not aggressive"

Thursday, August 7, 2025
Shin Godzilla (i̶s̶/ was female) (2021)
Watching the movie, & after noticing some details-
I believe Shin Godzilla was originally a female creature, Goro merging his DNA with hers, in combination with the radioactive waste- made it unisex.
In spite of the form of address in the movie being “he/his”, so even as it’s a he/it now, my point is it began as female before Goro did what he did.
That explains why the 5th-6th forms were drawn to take an explicitly feminine form in spite of the ONLY human DNA sample it consumed was male to begin with.
Side note: The expression on Humanoid Gojira is more relaxed, peaceful; Not being a threat by choice, given time, it could’ve been able to communicate to an extent with humanity or simply leave altogether for it’s own haven elsewhere.

Alas, it's inner monologue via WHO WILL KNOW is of a female & male voice, and most of the main verses are sung by a woman. (Reach, but an interesting note)
Goro is male:
And it is believed by some /including me that the “Who Will Know” ensemble was intentionally mixed gender to establish Gojira as unisex. (Which that context, not so much of a reach, but an unintentional addition to the lore)
So, where does the female persuasion come from? Godzilla is unisex/ male-ish now, but it's pre-mutation form, fish form, it was female, is my take. Logically.
Goro was not a female, the only other possibility of female DNA to derive is the fish form prelude to Gojira.

Now i almost debunked myself: “Nah, it/she was an asexually reproductive fish. Agender. Boom. Next-“
However-
Being the last of her race, she couldn’t have been asexually capable of procreating at the time, before.
Why? Well, simply put, if she was, why aren’t there multiple Godzilla’s? She was the ONLY one of her species to eat the waste?
- Unless, she’s a stray/rogue member. Which is unlikely, in that entire bay, only one of her kind managed to get to all that waste? Only her??? unlikely.
- The average fish would corrode & die, from the radiation, she’s of a race that is long extinct or not discovered yet. She’s the only one to feed & change because “she” is the only one left.
And the cloning ability makes for a bizarre form of giving “birth”.
And seeing “she” has male DNA, while very miniscule in sample, the “children” would then take the form of both their genetic parents; Goro & Gojira.
Inter-species reproduction, 2 of different sexes, literally “intercourse’d” as one, breeding new life; From the first new species, Godzilla itself.

And if it weren’t for the Yashiori Plan (Goro’s direct assistance after his death), their spawn would’ve ravaged Japan if not the Planet. So there’s that.
- Weird, yes.
- But story wise, Stephen King levels of horrifically brilliant.
- Makes you look at the movie differently, this was a dawn of a hostile takeover. ONLY because Gojira couldn’t speak out loud.
The beast was simply lost & afraid, and most likely in pain. And then it was shed blood by the bombers, then it was personal.
From a narrative standpoint, with no mate of the same genus to confide in or procreate with, she, reasonably, was all that was left.
But as Gojira, it wasn’t a “She” anymore, but still alone. A violent violation of it’s genetics, from the waste mankind dumped in the bay. How was it supposed to know it was toxic, why would someone dump in there in the first place?
Loneliness and isolation; which is translated in the poster. Just he/her/ just It, in the void. Nothing else, nobody, that’s how it feels the entire movie.

Now mutated, she belongs to no genetic family/genus or species, truly one of a kind. Not even Goro can keep her company now, since she presumably ate him, mistaking him for marine life to feed on (though his intentions were not accidental) or she absorbed him unintentionally.
Regardless, he’s dead, she- now It/”he”/they are truly alone.
Not intentionally trying to kill people, again the occasion it did fight back was AFTER humanity drew blood. It didn’t react to getting shot with bullets, or Japan’s ground forces bombs.
After it was legitimately hurt; as it started to retaliate it was given a song, an inner monologue of it’s pain & thoughts. Even if the gender of the ensemble is a theory, the lyrics of the song representing Gojira’s feelings, is 100% confirmed.

As i’m watching the movie, thinking about this little theory; It’s attempt to clone itself, might’ve been it’s own way to rid itself of it’s loneliness. Massive stretch, most likely wasn’t the intention, but if i was a twisted existence, in constant pain and the only company i had were tiny organisms trying to kill me & i didn’t consciously know why; I’d clone myself too, for protection or a bizarre desire for friends or a family, even if it was I, me and myself.
And who knows, Goro might’ve been reborn in the spawn, or the spawn might’ve manifested their own will, a hivemind, etc.

As depressing as it is, there’s either comfort in the fact that it’s/she’s at some crude form of peace, frozen in place; Or, it’s/she’s/he’s forever trapped in it’s/her/his/it’s own body, unable to move, going insane, still in pain, more than it/she/he/they was to begin with.
Surrounded by little ones, the enemy. No more fighting or pain (Or it is?), but still in the same place it was in the beginning: Alone
Toho still got it.