Painfully under-written heroine.
Season 2 was not her downfall, it was the show inflating what it always was: Overrated, hack, rule of cool that thought it was clever.
- R2 only emphasized prevailing issues that already existed in S1
- S2 didn't invent the sidelining, plot armor, contrivances, plot holes & overcompensating fanservice because the show couldn't think of humanizing reasons for anyone watching to give a shit about the women beyond what makes your dicc jolt
- And so, it gave us more of what CG was to begin with, the difference is Season 1 didn't have a reputation yet and so it was more conservative with it's gimmicks, didn't mean it was good, it means R2 was worse.
TL;DR Thoughts are Kallen overall was "fine", not good, but fine for a hollow light novel archetype, which is how she's treated.
A remarkably weakly executed character given how early we saw her in Season 1 and really had very little agency despite how headstrong she is.
Yet she's an excellent set piece for action scenes because of her archetype or being a piece of meat mascot for fanservice because unfortunately she wasn't a male character & due to that fact she isn't exempt from not being treated seriously or with respect, because that's what her worth boils down to according to the writers when she isn't kicking ass or being melodramatic or more noticeable: being Zero's biggest simp, her defining trait, besides her grit.
Episode 9 of Season 1 is still one of few episodes I'll still watch these days of the show without getting a headache because of how uncharacteristically competent the writing is for the most part. The through lines relating to her mother's traumas, her resentment toward her mother and it ends with somber closure between them both, though it should've been explored more as with Kallen's entire motivation namely her brother & daily life.
Kallen's goals, her motivation, her flaws, her abilities. She can carry a show easily, an OVA, really she's just as much main character material as Suzaku & Lelouch.
In Zero's absence, I would've liked to see Kallen directly leading the knights, her way; because how Lelouch leads isn't the only method to lead effectively.
- And the respect she already has due to being one of the front line fighters and being THE most valuable fighter: Her being Chief would've given an interesting challenge for us to see her not thinking like a brute, reliant on orders to aim her talents but instead thinking like a tactician, thinking for herself in this way whilst having that combat prowess, so being a nerfed combination of Suzaku & Lelouch but not being especially exaggerated in either category, a balanced Jack of All Trades. And unlike Xingke, she's not sick or anything, she's just not overpowered in terms of being a tactical genius, she goes off instincts.
- Because her decisions in this way would dictate whether or not her comrades live to fight another day, seeing her deal with the weight of that would be an easy arc for an episode, because they're not just chess pieces to her; all of which happens without Zero there to be her emotional safety net vs him/the mask being her metaphorical emotional shackle.
- Easily could've had R2's first 2-3 episodes or less be on that focus, whilst leading up to Lelouch' emancipation from his illusion, building up to it through Kallen's eyes. Easy w.
Lelouch is the MC of base form Code Geass but he wasn't the only protagonist, same with Avatar the last Airbender, Codename Kids Next Door & The Avengers movies, hell even Lego Monkie Kid. You can't just sparingly sprinkle some scarce development in there in 1 or episodes and then piss off, you have to add more development to eventually cultivate an arc. That's how it works.
When the plot hijacks the character writing, when fanservice regresses the profile of the characters, you get stagnation, which leads to sidelining & narrative deprivation. Season 2 didn't undermine Kallen, Code Geass as it always has been: undermined Kallen.
Unfortunately CG's writers had mismanaged priorities.
Otherwise, easily top 5 best pilots in CG, considering how many skilled pilots there actually are in the entire franchise beyond Lelouch' drama, so for her, that says a lot; beside the fact that The Black Knights' Ace pilot, "Q1" is globally infamous, which is also something I liked about what little we got from Kallen's profile in the long term.
But you need more going for you than just a part in action scenes & being boner bait, which is where most people get muddied when it comes to Kozuki or anime female leads in general. We get latched on for superficial reasons vs her actually being "well-written" due to exploration & tests, and it pains me to see (still) how many people will say that term but don't know what it means.
The "lewdness" or fanservice didn't defeat any depth for Kallen, because fanservice, especially in high frequency (in a serious setting like this) is generally what happens in a vacuum of not having depth in the first place. It clashes.
There's a big difference between fanservice cameo, an easter egg, having fun; vs compiled humiliation rituals labeled "fanservice".
It's overcompensation so that the writers give us something to attach onto about the character the easy way, so they don't have to do any real work with their pens to layer the character. That way they can prioritize pushing the plot along while the characters get dragged in tow.
And because situations around the characters develop & escalate, we by proxy think they / the characters are developing as well, when at best they're just reacting to rising events but in reality most of them are actually still the same exact people.
Code Geass was & has always been plot driven over character driven, which is partly why it's a mess, style over substance.
So unfortunately despite her high ranking in The Black Knights, outspoken nature & prominence in fight scenes, the fanservice never undermined her depth because she had none to begin with.
Episode 9 Season 1 was the foundation for depth, & it wasn't fully realized or exploited, despite how early her debut was.
- She isn't an NPC that showed up in Episode 9 or 15, she was there since Episode 1, you'd think she'd get more respect or more to do.
Kallen wasn't useless (her preventing Lelouch from shooting up, rejecting his advance, course-correcting his vision is one of the better scenes in R2 EP7 because of how the drug relates to her personal life- is one of the better moments), she was whiney & clingy at times but not fragile. Written to be way too reliant on "Zero" overall for my taste, with no proactive attempt to use leaving him behind as a sign of growth for her, another wasted opportunity. Otherwise she had a stake & a role (as limited as it was), but not agency nor depth. At best, she was a highly prominent tool, high ranking lackey. What she needed was more independence, more proactivity vs being a reactive henchwoman.
Again, Fanservice definitely regressed her representation but it can't undermine depth Kallen never got to have in the first place, which is why the fanservice was there to begin with.
With depth nonexistent, you have to fill it with something, and lazy writers usually go with Mary Sue-isms (woke, condescending & politicization) or oversexualization (anti-woke, dehumanizing & disrespectful). You'll seldom see that kind of treatment with characters that are actually taken seriously by the writers.
Kallen really could've been the Katara of Code Geass with the theme of vengeance being the parallel, but Anime Japan yet again proved it's not capable or willing to write competent characters of high caliber in mainstream because quotas must be met at the characters expense for reasons that benefit everything & everyone except the characters.
Kallen is cool: strictly as an archetype, that's what she is & treated as, an archetype. As a character (generously): undercooked & painfully under-written because of lazy writers that felt style mattered more than substance. which is Code Geass in a nutshell.
"Rule of Cool:" The Animation, Mechs, superpowers, pretentious pseudo-intellectual political mumbo jumbo, supernatural shit pertaining to the will of man & god, cults, a ninja maid, etc.
Code Geass: Lelouch of the Asspulls was doing too much, it's why it got me into anime, it was an ambitious melting-pot experiment but it really didn't know what the hell it was doing & aged as well as a heroin addict.
Kallen is a casualty of that, one of many.
Kallen is cool: strictly as an archetype, that's what she is & treated as, an archetype. As a character (generously): undercooked & painfully under-written because of lazy writers that felt style mattered more than substance. which is Code Geass in a nutshell.
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